|
|
| November 2018 |
 |
11 |
|
 |
| 頁數：85-114 |
| 試論閩西客家博物館的原鄉意象與客家內涵 |
| Homeland Image and Implications of Hakka Museums in Western Fukian |
|
 |
|
|
| 作者 |
黃信洋 |
| Author |
Shin-yang Huang |
| 關鍵詞 |
五次大遷徙、客家博物館、集體記憶 |
| Keywords |
Five Migrations, Hakka Museums, Collective Memories |
| 摘要 |
本文共分成五個部分：第一部分討論客家文化博物館聯盟在中國的出現與效應；第二部分討論中國的博物館以及贛、閩、粵邊區的客家博物館，主要探討的是中國一地具有廣義意涵的客家博物館；第三部分討論中國的客家博物館的展示主軸與客家意涵；第四部分討論閩西的客家博物館及其客家意象的詮釋方式；第五部分是結語，討論原鄉、故鄉與家鄉的意涵與展示層面的社會效應，說明客家博物館就好比現代客家族群的帕德嫩神廟，並闡述發展具有學術理性意涵的客家博物館的必要性。
|
| Abstract |
This article is composed of five parts: Firstly, I will discuss the appearance of Hakka museum alliance in China. Secondly, I will discuss the general view of China museums and the museums in China Hakka areas. Thirdly, I will discuss the main points of exhibitions and Hakka implications in China's Hakka museums. Fourthly, I will discuss the Minxi Hakka museums and its ways of interpretation of Hakka image. Finally, I will discuss the meaning of homeland and the social impacts of exhibitions. Also, I will try to explain that Hakka museums are just like the sacred temples for Hakka people nowadays. Accordingly, it is very important for us to have a Hakka museum that is developed according to scholastic reason.
|
|
|
 |
|
