|
|
| November 2018 |
 |
11 |
|
 |
| 頁數：187-212 |
| 鄭榮興《臺灣客家戲之研究》述評 |
| Book Review: Research on Taiwanese Hakka Opera (By Rom-shing Cheng) |
|
 |
|
|
| 作者 |
施德玉 |
| Author |
Te-yu Shih |
| 關鍵詞 |
臺灣、鄭榮興、客家戲、客家三腳採茶戲、客家大戲 |
| Keywords |
Taiwan, Cheng Rom Shing, Hakka Opera, Hakka three-role tea-picking opera, Hakka grand opera |
| 摘要 |
客家戲在臺灣一百多年的發展，由歌舞而小戲而大戲，是受到客家族群喜愛的戲曲劇種。長年從事客家戲曲音樂文化事業的鄭榮興所撰寫之《臺灣客家戲之研究》，著實地為在臺灣逐漸發展形成的客家大戲，進行了深入淺出的記錄與發展軌跡之探討。
本文首先從鄭榮興對於戲曲藝術型態不同之「小戲」和「大戲」的命義和形成基礎之論述進行評論；其次分析他對於臺灣客家三腳採茶戲的來源、形成與表演特色資料的梳理及記錄；其三，探究他提出臺灣客家三腳採茶戲「十大齣」，的演進發展路徑之系統性；其四，對於他分析的臺灣客家三腳採茶戲代表劇目提出述評觀點；最後從其餘論所提出對於臺灣客家採茶大小戲的未來展望，予以分析其前瞻性。 |
| Abstract |
Hakka opera has been developed in Taiwan for more than one hundred years. It has grown from a musical dance, xiao-xi (a small scale opera) to a da-xi (or grand opera; a large scale opera), which is a very popular genre among the Hakka people. Therefore, Research on Taiwanese Hakka Opera, written by Rom-shing Cheng who has devoted himself in studying Hakka xiqu and music, has made a phenomenal contribution in recording the development of the popular Hakka opera in Taiwan.
This paper will make a close review on Rom-shing Cheng's Research on Taiwanese Hakka Opera. Firstly, I will discuss how he clarifies the definitions of xiao-xi and da-xi in different xiqu art styles and discusses the base of the formation of these art forms. Secondly, I will analyze his research on the origin, the formation and the features of Taiwanese Hakka three-role tea-picking opera. Thirdly, I will study the Ten Major Plays of the Taiwanese three-role tea-picking opera Cheng proposes. Fourthly, I will comment on the feature plays of Taiwanese Hakka opera. Fifthly, I will discuss his research on the establishment, development, and the present status of Hakka da-xi or grand opera. Sixthly, I will analyze the future direction and comment on the prospects Cheng proposes on Taiwanese Hakka tea-picking xiao-xi and da-xi.
|
|
|
 |
|
