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November 2019 |
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13 |
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¶¼Æ¡G43-78 |
»OÆW«È®a¸`¼y¬Fµ¦ªº³Ð·s¶Ç²Î¡G ±q¡u¤Ñ¬ï¤é¡v¨ì¡u¥þ°ê«È®a¤é¡v |
Innovating the Tradition of Hakka Festival Policy in Taiwan: From ¡§Ripped Sky Festival¡¨ to ¡§National Hakka Day¡¨ |
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Author |
Ming-heng Hsieh |
ÃöÁäµü |
«È®a¬Fµ¦¡B¤Ñ¬ï¤é¡B¥þ°ê«È®a¤é¡B±Ú¸s«Øºc¡B³Ð·s¶Ç²Î |
Keywords |
Hakka Policy, Sky Broken Day, National Hakka Day, Ethnic Construction, Innovation of Tradition |
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¥»¤å¥ø¹ÏÂç²M±Ú¸s«Øºc»P³Ð·s¶Ç²Î¹ï»OÆW«È®a¬Fµ¦ªº·N¸q»P¼vÅT¡Cº¥ý¡A¹B¥Î¦¸¯Å¤åÄm¸ê®Æ¤ÀªR¡u¤Ñ¬ï¤é¡vªº¶Ç²Î¤å¤Æ·N²[¡A¥Dn´£¥X¡u¤Ñ¬ï¤é¡v¨Ã«D¡u¿W¯S¾Ö¦³¡v¦Ó¬O¡u«ùÄò«O¦³¡vªºÆ[ÂI¡C¦AªÌ¡A®Ú¾Ú¬Fµ¦¨î©w¹Lµ{ÄÄz¡u¥þ°ê«È®a¤é¡vªº·í¥N¸`¼y¦A³y¡A½èºÃ¬°¦ó¬O¡u¤Ñ¬ï¤é¡vªº²æ¿o¦Ó¥X¡C³Ì«á¡A³q¹L°ê®a¬Fµ¦¤Uªº±Ú¸s«Øºc¡A¥H¤Î¯Ç¤J¡u«È®a½×zÂà¤Æ¡vªºÅGÃÒ¡A¨Ã¥B¥[¤J¡u³Ð·s¶Ç²Î¡vªºµø³¥¡A¶i¤@¨B«ä¦Ò·í¥N¹ï¶Ç²Î¤§¤Uªº«·s¸àÄÀ¡CÁ`Åé¦Ó½×¡A¥»¤å´£¨Ñ¡u¥þ°ê«È®a¤é¡v¬°¦ó¿ï©w¡u¤Ñ¬ï¤é¡vªº®×¨Ò§@¬°¶}®i¡A¸Õ¹ÏÂ×´I·í¥N»OÆW«È®aªº®t²§¤Æ»P¦h¤¸©Ê¡A¦p¦¹ªº¬ã¨s½d¦¡¨ã¦³¿n·¥¥B¥¿¦Vªº¾Ç³N·N¸q¡A±j½Õ¡u«È®a¡v·§©À¨Ã«D©T¤Æ§¡¤@ªºÀRºA¼Ð»x¡A¦Ó¬O¤@¶µ«ùÄòÅܾEªº°ÊºA¹Lµ{¡C |
Abstract |
This paper attempts to clarify the prominence and influence of ethnic construction and innovation of tradition on the Hakka policy in Taiwan. First, after reviewing secondary literature to analyze the traditional cultural meanings of Ripped Sky Festival, I argue that the festival is not ¡§ specific¡¨ but ¡§sustained .¡¨ Furthermore, based on the process of policy formulation, this paper explains the contemporary reengineering of the festival as ¡§National Hakka Day¡¨ and investigates why Ripped Sky Festival becomes prominent. Finally, how the ethnic construction of the national policy has incorporated the dialectical discussion of Hakka transformation is discussed. In sum, this paper emphasizes that the concept, Hakka culture, is a dynamic and continuously changing process rather than a stable, unified, and static symbol.
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